Artist
I paint light as a physical material.
My practice is shaped by light, memory, and material presence.
Practice
I gather places, interiors, markets, gardens, animals, and weather into tactile oil surfaces.
Palette knife marks remain visible so the hand, canvas, and tempo of looking do not disappear behind the image.
I want these paintings to live here as a calm catalog, not as a display shelf. Dimensions, materials, price, and availability help orient a visitor, but they should never speak louder than atmosphere.
Materials
Oil, canvas and attentive painting
The practice is shaped by transparent layers, dense brushwork and the living breath of colour.
